Thanks guys.... I was pretty tired & stuffed up. Big thank you to Bella for finding a useful link!!! I didn't realise Scrubs feature it so prominently
I try to put an Ozzie flavour to Word of the Day (Ozzie spelling too!!!) |
Colin Hay - Overkill - YouTube
only registered users can see external links › watch Lyrics I can't get to sleep I think about the implications Of diving in too deep And possibly the complications Especially at night I worry over situations I know will be alright Perhaps it's just imagination Day after day it reappears Night after night MY heartbeat shows the fear Ghosts appear and fade away Alone between the sheets Only brings exasperation It's time to walk the streets Smell the desperation At least there's pretty lights And though there's little variation It nullifies the night from overkill Day after day it reappears Night after night MY heartbeat shows the fear Ghosts appear and fade away Come back another day I can't get to sleep I think about the implications Of diving in too deep And possibly the complications Especially at night I worry over situations I know will be alright It's just overkill Day after day it reappears Night after night MY heartbeat shows the fear Ghosts appear and fade away Ghosts appear and fade away Ghosts appear and fade away |
1980s Oz rock; If you leave me, can I come too?
Songwriters: Martin Edward Murphy only registered users can see external links Mental As Anything are an Australian new wave/pop rock band that formed in Sydney in 1976. Its most popular line-up (which lasted from 1977 to 1999) was Martin Plaza (birth name Martin Murphy) on vocals and guitar; Reg Mombassa (birth name Christopher O'Doherty) on lead guitar and vocals; his brother Peter "Yoga Dog" O'Doherty on bass guitar and vocals; Wayne de Lisle (birth name David Twohill) on drums; and Andrew "Greedy" Smith on vocals, keyboards and harmonica. Their original hit songs were generated by Mombassa, O'Doherty, Plaza and Smith, either individually or collectively; they also hit the Australian charts with covers of songs by Roy Orbison, Elvis Presley and Chuck Berry. Lyrics Words were exchanged last night You could call it a fight It's such a shame I never thought we would, Wouldn't be so bad, if it weren't so good I've had enough of that, Other loves in days gone by. It wasn't much I know, Just enough, enough to make me cry If you leave me, can I come too? We can always stay But if you leave me, can I come too? And if you go, can I come too? Don't let it happen again 'cause that I couldn't take, once was quite enough It's easy to forgive, harder to forget If you leave me, can I come too? We can always stay But if you leave me, can I come too? And if you go, can I come too? |
Tremendous track by Gary Moore "Cold Day in Hell"
only registered users can see external links So many times you tried to take the best of me. So many times, now you're gonna take the rest of me. Better look at what you're doing before it's too late. It's a fine line you're treadin' between love and hate. There'll be a cold day in hell before I'm coming back to you. So many times you tried to play a dead end game. Yes, you did. I tried to tell you, but you'd never wanna take the blame. Now you've pushed me to the limit, and I can't take no more. You'd better take one last look before I'm out the door. There'll be a cold day in hell before I'm coming back to you. You never listened when I told you that you were way out of line. Too busy talkin' to listen, accusing me of telling lies. So many times you tried to get the best of me. Yes, you did. So many times, but now you're gonna take the rest of me. Well, it's too late for sorry and it's too late for tears. Better take one last look before I disappear. There'll be a cold day in hell before I'm coming back to you. There'll be a cold day in hell before I'm coming back to you. There'll be a cold day in hell before I'm coming back to you. Yeah! (Gonna be a cold day in hell) (Gonna be a cold day in hell) (Gonna be a cold day in hell) (Gonna be a cold day in hell) (Gonna be a cold day in hell) (Gonna be a cold day in hell) (Gonna be a cold day in hell) (It's gonna be a cold, cold day in hell) Source: LyricFind Songwriters: Tracy K. Bonham |
Sherbet was one of the most prominent and successful Australian rock bands of the 1970s. The 'classic line-up' of Daryl Braithwaite on vocals, Tony Mitchell on bass guitar, Garth Porter on keyboards, Alan Sandow on drums, and Clive Shakespeare on guitar provided their teen-orientated pop style
Summer Love Songwriters: Clive Shakespeare / Garth Ivan Porter only registered users can see external links Lyrics Summer love is like no other love Oooh yeah-eah-eah Summer love is like no other love You know what I mean Summer love is like no other lo-ove Cloudy skys are blown by with a breeze And when that su-un shi-ines Life comes easy Bye bye troubles goodby-ye I'm walkin' with my head in the sky-why-why See birds sailing in and out of blue Oh when that su-un shines I'll be there with you-ou When you bring your lovin' to me-ee Let your love come easy and free-ee Yeah, Listen Summer love is like no other love Oooh yeah-yeah Summer love is like no other love Summer love is like no other lo-ove Oo-ooh Everybody talk about the summertime blues Just take it easy and let it cruise The sun is up and the day is fine I feel so good in the summer ti-i-ime When you bring your lovin' to me-ee Let your love come easy and free-ee, Yeah You know what I mea-ea-ean Summer love is like no other love Summer love is like no other love Summer love is like no other love Summer love is like no other love Summer love is like no other love |
A British 1970s drumless hybrid by Mungo Jerry 🤗 In The Summertime
Don't forget soulful Summertime by Gershwin😍 only registered users can see external links Chh chh-chh, uh, chh chh-chh, uh Chh chh-chh, uh, chh chh-chh, uh Chh chh-chh, uh, chh chh-chh, uh Chh chh-chh, uh, chh chh-chh, uh Chh chh-chh, uh, chh chh-chh, uh Chh chh-chh, uh, chh chh-chh In the summertime when the weather is hot You can stretch right up and touch the sky When the weather's fine You got women, you got women on your mind Have a drink, have a drive Go out and see what you can find If her daddy's rich take her out for a meal If her daddy's poor just do what you feel Speed along the lane Do a turn or return the twenty-five When the sun goes down You can make it, make it good and really fine We're not bad people We're not dirty, we're not mean We love everybody but we do as we please When the weather's fine We go fishin' or go swimmin' in the sea We're always happy Life's for livin' yeah, that's our philosophy Sing along with us Dee dee dee-dee dee Dah dah dah-dah dah Yeah we're hap-happy Dah dah-dah Dee-dah-do dee-dah-do dah-do-dah Dah-do-dah-dah-dah Dah-dah-dah |
Classic British songbird(a Liverpool lass) Cilla Blacks' classic
only registered users can see external links You're My World You're my world, you're every breath I take you're my world, you're every move I make other eyes see the stars up in the skies but for me they shine within you're eyes As the trees reach for the sun above so my arms reach out to you for love with your hand resting in mine I feel a power so divine You're my world, you are my night and day you're my world, you're every prayer i pray if our love ceases to be then it's the end of my world for me With your hand resting in mine I feel a power so divine You're my world, you are my night and day you're my world, you're every prayer i pray if our love ceases to be then it's the end of my world, end of my world, end of my world for me |
Whilst not Australian, this heartfelt lamentation sung so sweetly...still make me cry
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Oz rocker Richard Clapton (Live 1989)
One of the first musos on Oz radio featuring Oz locations (BTW I lived near mentioned Palm Beach Rd) Deep Water We used to go down to the beach at night fireflies dancing in the promenade light. Ah those rock 'n' roll bands used to really swing and I'd do the foxtrot with sweet Christine Speaking to me with her gentle hands fly on down to wonderland Deep water I'm caught up in its flow if I'm in over my head I'd be the last to know Deep water Deep water They closed down the doors to the Trocedero and I came back looking just like a ghost. Posters were scattered all over the stairs Nobody reads them, nobody cares. Kids are retired when they reach 21 really just ain't my idea of fun Sittin' out on the Palm Beach road I'm so drunk and the car won't go. My crazy eyes keep looking out to sea. Sunday drivers are cruisin' around wish they'd all go back to town What the hell do they expect to find? Sure as hell ain't peace of mind! Deep water Hold on Hold on now only registered users can see external links |
Oz rockers INXS 1988
Don't ask me What you know is true Don't have to tell you I love your precious heart I I was standing You were there Two worlds collided And they could never tear us apart We could live For a thousand years But if I hurt you I'd make wine from your tears I told you That we could fly 'Cause we all have wings But some of us don't know why I was standing You were there Two worlds collided And they could never ever tear us apart I I was standing You were… only registered users can see external links |
Oz band Hunters & Collectors 1984
Songwriters: Doug Falconer / Geoffrey Franklin Crosby / John Howard / John Melville Lee Archer / Mark Jeremy Seymour / Michael Waters / Robert Miles Throw Your Arms Around Me I will come for you at night time I will raise you from your sleep I will kiss you in four places As I go running along your street I will squeeze the life out of you You will make me laugh and make me cry And we will never forget it You will make me call your name And I'll shout it to the blue summer sky And we may never meet again So shed your skin and let's get started And you will throw your arms around me Yeah, you will throw your arms around me I dreamed of you at nighttime And I watched you in your sleep I met you in high places I touched your head and touched your feet So if you disappear out of view You know I will never say goodbye And though I try to forget it You will make me call your name And I'll shout it to the blue summer sky And we may never meet again So shed your skin and let's get started And you will throw your arms around me Yeah, you will throw your arms around me Oh, yeah Oh yeah You will throw your arms around me Yeah, you will throw your arms around me only registered users can see external links |
I'm so happy to share Oz music ....I'm happier to know you checked it out |
Vince Jones
Born in Glasgow, Vince and his family came to live in Australia when he was 11 years old. He grew up in Wollongong, NSW, listening to his musician father’s collection of great jazz albums, and the feel, style and essence of the music became a natural part of Vince’s world. Starting his jazz performance journey as a bebop trumpet player, the young man had no idea that in 10 years, then 20 years – his superb voice would touch the hearts and minds of many listeners – in Australia and beyond. At 20, Vince began playing the club circuit in Melbourne. He was drawn to R&B music – a genre in which the emotive force of the voice is matched by technical and improvising skills. To a young man steeped in jazz and blessed with a good voice – it was natural to meld these elements together and so began the evolution of one of Australia’s great jazz vocalists. 7th album Trustworthy Little Sweethearts 1988 Big City There's no place on Earth that I'd rather be Give me the bright lights Big cities for me Don't live in the country All those hippies running free All I want are the bright lights Big cities for me Now come on, come on, to the city Big cities for me I got a woman and she's waiting there for me And I met her in the city Big cities for me Night-time is the right time Shock town is my town I got a woman and she's waiting there for me I met her in the city Big cities for me Night-time is the right time Shock town is my town New York, New York only registered users can see external links Musicians: Barney McCall – acoustic piano Doug de Vries – electric guitar, steel string acoustic guitar, Tony Floyd – drums Rai Pereiera – percussion Paul Williamson – tenor sax, baritone sax Russell Smith – trombone Vince Jones – vocal & trumpet Ian Chaplin – alto sax Tony Buck – drums Lloyd Swanton – bass Tim Jones – tuba Arrangements – Doug de Vries, Vince Jones Produced by Doug de Vries Engineered by Michael Wickow Recording Coordinator – Tom Keo Recorded & Mixed at Metropolis Studios, Melbourne – Sept. & October 1988 --------------------------------------- added after 9 minutes another jazzy Vince Jones track only registered users can see external links sadly, no Lyrics available Album: It All Ends Up In Tears Released: 1987 |
from a more innocent time in my youth in Oz.... Pity the prick was a convicted child molester
jake the peg - YouTube only registered users can see external links I'm Jake the Peg, diddle-iddle-iddle-um With my extra leg, diddle-iddle-iddle-um Wherever I go through rain and snow The people always let me know There's Jake the peg, diddle-iddle-iddle-um With his extra leg, diddle-iddle-iddle The day that I born (oh boy) my father nearly died He couldn't get my nappies on, how matter how he tried 'cause I was born with an extra leg, and since that day begun I had to learn to stand on my own three feet Believe me that's no fun I'm Jake the Peg, diddle-iddle-iddle-um With my extra leg, diddle-iddle-iddle-um Wherever I go through rain and snow The people always let me know There's Jake the peg, diddle-iddle-iddle-um With his extra leg, diddle-iddle-iddle I had a dreadful childhood really, I s'pose I shouldn't moan Each time they had a three legged race, I won it on me own And also I got popular, when came the time for cricket They used to roll my trousers up And use me for the wicket I'm Jake the Peg, diddle-iddle-iddle-um With my extra leg, diddle-iddle-iddle-um Wherever I go through rain and snow The people always let me know There's Jake the peg, diddle-iddle-iddle-um With his extra leg, diddle-iddle-iddle I was a dreadful scholar, I found all the lessons hard The only thing I knew for sure, was three feet make a yard To count to ten I used me fingers, if I needed more By getting my shoes and socks off I could count to twenty four I'm Jake the [stops to count] ...to twenty five I'm Jake the peg, diddle-iddle-iddle-um With my extra leg, diddle-iddle-iddle-um Whatever I did they said was false They said "quick march" I did the quick waltz Then they shouted at me "put your best foot forward" - but which foot? I said "it's very fine for you, you only got a choice of two" But me, I'm Jake the Peg, diddle-iddle-iddle-um With the extra leg... diddle-iddle-iddle-um Songwriters: Frank Roosen / Rolf Harris Jake The Peg lyrics © Sony/ATV Music Publishing LLC |
The Nightfly 1982
original recording only registered users can see external links Donald Fagen I'm Lester the Nightfly Hello Baton Rouge Won't you turn your radio down Respect the seven second delay we use So you say there's a race Of men in the trees You're for tough legislation Thanks for calling I wait all night For calls like these An independent station WJAZ With jazz and conversation From the foot of Mt. Belzoni Sweet music Tonight the night is mine Late line 'til the sun Comes through the skylight I've got plenty of java And Chesterfield Kings But I feel like crying I wish I had a heart like ice Heart like ice If you want your honey To look super swell You must spring For that little blue jar Patton's Kiss And Tell Kiss And Tell An independent station WJAZ With jazz and conversation From the foot of Mt. Belzoni Sweet music Tonight the night is mine Late line |
Try Edgar Winters version
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Oz Rock is tops
I know it's 1966 but it still sounds as good as it did when I first heard it at 10 years of age I still love this song The Easybeats - Friday On My Mind (1966) Songwriters: George Young / Harry Vanda Live only registered users can see external links Static graphic origonal recording only registered users can see external links Monday mornin' feels so bad Ev'rybody seems to nag me Comin' Tuesday I feel better Even my old man looks good Wed'sday just don't go Thursday goes too slow I've got Friday on my mind Gonna have fun in the city Be with my girl, she's so pretty She looks fine tonight She is out of sight to me Tonight I'll spend my bread, tonight I'll lose my head, tonight I've got to get to night Monday I'll have Friday on my mind Do the five day grind once more I know of nothin' else that bugs me More than workin' for the rich man Hey! I'll change that scene one day Today I might be mad, tomorrow I'll be glad 'Cause I'll have Friday on my mind Gonna have fun in the city Be with my girl, she's so pretty She looks fine tonight. She is out of sight to me Tonight I'll spend my bread, tonight I'll lose my head, tonight I've got to get to night Monday I'll have Friday on my mind |
Just an old fashioned love song (Three Dog Night)
only registered users can see external links Just an old fashioned love song Playing on the radio And wrapped around the music is the sound Of someone promising they'll never go You'll swear you've heard it before As it slowly rambles on and on No need in bringing 'em back 'Cause they've never really gone Just an old fashioned love song One I'm sure they wrote for you and me Just an old fashioned love song Coming down in three part harmony To weave our dreams upon and listen To each evening when the lights are low To underscore our love affair with tenderness And feeling that we've come to know You'll swear you've heard it before As it slowly rambles on and on No need in bringing 'em back 'Cause they've never really gone Just an old fashioned love song Coming down in three part harmony Just an old fashioned love song One I'm sure they wrote for you and me Just an old fashioned love song Coming down in three part harmony Just an old fashioned love song One I'm sure they wrote for you and me To weave our dreams upon and listen to a song Just an old song coming down Just an old song What I'm sure they wrote for you and me Just an old fashioned love song Coming down in three part harmony Just an old fashioned love song One I'm sure they wrote for you and me Just an old fashioned love song Coming down in three part harmony Just an old fashioned love song One I'm sure they wrote for you and me Just an old fashioned love song Coming down in three part harmony Just an old fashioned love song One I'm sure they wrote for you and me Just an old fashioned love song Coming down in three part harmony Just an old fashioned love song Songwriters: Paul H. Williams |
Pleasure & Pain
Divinyls an Australian rock band that was formed in Sydney in 1980. The band primarily consisted of vocalist Chrissy Amphlett and guitarist Mark McEntee. Amphlett garnered widespread attention for performing on stage in a school uniform and fishnet stockings, and often used an illuminated neon tube as a prop for displaying aggression towards both band members and the audience. Originally a five-piece, the band underwent numerous line-up changes, with Amphlett and McEntee remaining as core members, before its dissolution in 1996. ==================== Pleasure & Pain (it's a fine line) Lover, lover, why do you push? Why do you push? Why do you push? Baby baby, did you forget about me? I've been standing at the back of your life Back row centre just above the ice Please don't ask me how I've been getting off No, please don't ask me how I've been getting off Break my body, with the back of your hand Doesn't make sense from where I stand Baby, baby why you wanna mess it up Sooner or later I'll find my place Find my body better fix my face Please don't ask me How I've been getting off No, please don't ask me How I've been getting off It's a fine line between pleasure and pain You've done it once you can do it again Whatever you done don't' try to explain It's a fine, fine line between pleasure and pain It's all the same Sooner or later I'll find my place Find my body better fix my face Please don't ask me How I've been getting off Ah, now please don't ask me How I've been getting off Enjoy:- only registered users can see external links |
Thanks.... nice to know the memory is still ok ... inspite of the maryjane! |
Hi Bella, an Ozzie 1980 classic rock tune relating to the Genesis word "Cheap" Enjoy real raw Oz rock
only registered users can see external links Cheap Wine "East" Cold Chisel 1980 However, I digress from todays target... Swing The Girl from Ipanema Covered by so many people... Frank Sinatra, Sergio Mendes & my immediately spring to mind. only registered users can see external links Frank only registered users can see external links Astrud Gilberto & Stan Getz ◊ The Girl From Ipanema ◊ 1964 1962 music by Antônio Carlos Jobim and Portuguese lyrics by Vinicius de Moraes. English lyrics were written later by Norman Gimbel Tall and tan and young and lovely The girl from Ipanema goes walking And when she passes, each one she passes goes ah When she walks she's like a samba That swings so cool and sways so gentle That when she passes, each one she passes goes ooh But I watch her so sadly How can I tell her I love her? Yes, I would give my heart gladly But each day when she walks to the sea She looks straight ahead not at me Tall and tan and young and lovely The girl from Ipanema goes walking And when she passes, I smile but she doesn't see Doesn't see Olha que coisa mais linda mais cheia de graça É ela, menina, que vem e que passa Num doce balanço a caminho do mar Moça do corpo dourado do sol de Ipanema O seu balançado parece um poema É a coisa mais linda que eu já vi passar Ooh,… |
I Googled & got this:
"Pi Day is celebrated every year March 14 as the first three digits of pi are three, one and four, representing the date. This day was officially recognized by the U.S. House of Representatives in 2009 to help the country "reinforce mathematics and science education for all students in order to better prepare our **** for the future and in order to compete in a 21st Century economy." It is believed earliest known official celebration of Pi Day was organized by American physicist Larry Shaw in 1988 at the San Francisco Exploratorium. Pi, which represents the ratio of a circle’s circumference to its diameter, is an important part of the foundation of mathematics. The ancient Babylonians calculated pi roughly 4,000 years ago." seem it's another US contrivance |
International Pi Day The number π is a mathematical constant. Originally defined as the ratio of a circle's circumference to its diameter, it now has various equivalent definitions and appears in many formulas in all areas of mathematics and physics (old school 22/7=3.141592 |
Hopefully "having" 8 guys over Tuesday 11 August 2015.
Anyone in Sydney (Oz) interested, get in contact! Pic from last time |